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“He turned around and I said, yes, very cute.
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“I’m going to bed him,” he remembered, smiling wickedly. Memory is a tricky thing: subjective, malleable to the needs of narrative or the fog of time. Some linguists believe that preliterate societies used myths to preserve their collective memories, and it seems possible, or at least poetic, that the style of memory is toward constructive storymaking, not simple retention.
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We remember the stories we tell about our lives we invent our lives in the remembering. Cott’s doctor found a cancerous tumor on his bladder and called for surgery. On that recent day, the doctor had called about rescheduling the procedure. His partner’s health, he said, worried him. If it became serious, then that’s a nursing home, I guess. I can take care of him, but it’s a burden, and it’s getting worse of a burden. Leedom continued: “This morning I said, eat that apple on the table. ‘I’ll do it right away.’ But he doesn’t.” And I’ve reminded him five times to eat the apple.įour hours later, it’s not been eaten yet. Cott worked as an actor, a publicist, a theater manager and the executive director of Westbeth, the artists’ residence in the West Village. Leedom was the executive director of the Academy of Television Arts and Sciences.īefore meeting Mr. Cott, he answered a newspaper ad for a personal assistant, and wound up spending the next five years as the traveling companion to the pianist Vladimir Horowitz, and becoming his lover, though Mr. Leedom said, before adding, after a few questions: “He was a difficult man, to say the least. He had an anger in him that was unbelievable.